Day-for-night and sky replacement

Shot in daylight, delivered at night

A day plate turned into a believable night, a flat sky swapped for the one you wanted, and the light on the set changed to match, including firelight and lit windows where the scene needs them.

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Coffee Shop Relight: a white room turned into a cafe at dusk. Performance, wardrobe and props untouched.Drag to compare

Shot / Delivered

Same actors, same take, different room

The performance was shot in a white room with flat light. The cafe, the window, the street outside and the warm light from the lamps all came after the shoot. Nothing the actors did was touched.

How this shot was done →

What we do

  • Day-for-night with real depth and atmosphere, not a blue filter
  • Sky replacement with matching light direction and haze
  • Overcast to sunny, or sunny to storm
  • Relighting so skin and surfaces agree with the new light
  • Fire, window and practical light added to exteriors

Examples

Turnaround

A look frame within 24 hours of receiving the plate; shots in two to four days each.

Quoted per shot from your cut, within 24 hours. How a job runs.

Behind the scenes

For the producers and post supervisors who ask: the studio works in the same software as the large facilities, in a color-managed pipeline, with AI tools used only where they save the production something real and always finished by hand.

Compositing and cleanup
Nuke · Silhouette · Mocha Pro
Tracking
SynthEyes · LiDAR-aligned matchmove
Effects and 3D
Houdini · Blender · EmberGen · Marvelous Designer
AI-assisted
Beeble SwitchX and Relight · ComfyUI · ML mattes and clean plates
Color and delivery
DaVinci Resolve · ACES color pipeline · EXR and ProRes delivery

Final scene

Send the shots. Get a number back in 24 hours.

A low-res cut, a shot count and a deadline is enough. You get a per-shot estimate and a fixed quote, not an hourly guess.

Brief the studio