Fire, water, destruction and magic

The shot that carries the film

A building coming down, a house on fire, a corridor flooding, a hologram, a character dissolving into dust, time stopping. Designed with you from a storyboard, signed off on a still before anything moves, then built and placed into your footage.

Send a shot for a quoteHow we work

What we do

  • Destruction and collapse: buildings, glass, decks, debris
  • Fire, smoke and embers, with the light they throw on the set
  • Water: floods, overflows, pools, splashes, rain
  • Magic and energy: holograms, crystal balls, portals, time freeze, disintegration
  • Muzzle flashes, blood, creature passes and other things you cannot shoot

Examples

Turnaround

A still for sign-off first, then motion. Most single effects shots take one to two weeks.

Quoted per shot from your cut, within 24 hours. How a job runs.

Behind the scenes

For the producers and post supervisors who ask: the studio works in the same software as the large facilities, in a color-managed pipeline, with AI tools used only where they save the production something real and always finished by hand.

Compositing and cleanup
Nuke · Silhouette · Mocha Pro
Tracking
SynthEyes · LiDAR-aligned matchmove
Effects and 3D
Houdini · Blender · EmberGen · Marvelous Designer
AI-assisted
Beeble SwitchX and Relight · ComfyUI · ML mattes and clean plates
Color and delivery
DaVinci Resolve · ACES color pipeline · EXR and ProRes delivery

Final scene

Send the shots. Get a number back in 24 hours.

A low-res cut, a shot count and a deadline is enough. You get a per-shot estimate and a fixed quote, not an hourly guess.

Brief the studio